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The scenery here is ugly, beautiful, and sometimes terrifying-sometimes all at once-but we should be thankful for that complexity. The teenage mind is a dark and complicated machine, but Tyler's more interested in self-exploration than self-destruction. The imperative is to share without regard for the flammability of the thought. The lyrics are stream-of-consciousness yet highly crafted. His productions reach outside hip-hop's realm to touch the belching industrial designs of Throbbing Gristle and the darkly seductive jazz of Roy Ayers. It's also completely uninterested in any sort of standardized rap music, but who really needs traditional rap, especially from a kid as creatively fearless as Tyler? His willful ignorance of hip-hop's rules makes Goblin exciting. It's exactly the album the artist wanted for himself.
Instead, he made an album that's unwieldy, irate, insolent, schizophrenic, odious, and deeply personal.
Following the popularity of the “Yonkers” video, Tyler, the Creator could have catered to the tastes of the masses and cashed in.
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